Justine Trier’s Anatomy of a Fall has a three-hour version in mind with a different ending

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The article is an interview with filmmakers Triet and Seneschal exploring the delicate balance in creating ambiguity in their work. They discuss how changing minor details can radically shift the narrative’s interpretation and how maintaining a sense of ambiguity around characters can be challenging. The interviewees also suggest that their ideal director’s cut would be a significantly longer version of their film, despite the strenuous editing process. Triet expresses a desire to change the final scene in a future cut, indicating it could involve more subtle, nonverbal communication to capture a certain mood. Keywords: filmmakers, ambiguity, narrative, characters, director’s cut, editing process, nonverbal communication, mood.

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